Michael Hollister

                                       
        Michael A. Hollister
Novelist & Critic
 
                                       
POLITICS OF MOVIES

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DANEgerus
Patrick Garry, novelist


Review of Salishan
by Fred Delkin
Oregon Magazine

Review of Salishan
Review of Hollyworld
by Will Rayment
The Conservative Monitor

Peter Carafiol
Free Speech
Metaphor
archetype
Blacklist
Hollywood Novels
McCarthyism
Communist propaganda
 

POLITICS OF MOVIES


Critiques of the following films will be posted from late 2006 through 2007. They (1) evaluate adaptations of literary classics, (2) analyze famous movies produced by or associated with Hollywood, (3) deconstruct Communist propaganda (titles in red) and (4) explain rebuttals to Red propaganda (titles in blue). They are examples, not a complete list.

Most critiques are excerpts from the novel Hollyworld. Where they include dialogue, usually the screenwriter and film critic Sarah Eisley is discussing pictures with her husband the director Ryan Eisley, her friend the sportswriter Frank Palaveri, her son Davin or her grandson Burke.

Apocalypse Now
The Best Years of Our Lives
The Big Chill
Billy Budd
The Bostonians
Casablanca
Citizen Kane
Close Encounters of the Third Kind
Coming Home
Daisy Miller
The Day of the Locust
Dr. Strangelove
Easy Rider
Fail-Safe
A Farewell to Arms
The Front
Gone with the Wind
Good Night, and Good Luck
The Graduate
The Grapes of Wrath
The Great Gatsby
Guilty by Suspicion
High Noon
Huckleberry Finn
Invasion of the Body Snatchers
Key Largo
The Majestic
Meet John Doe
Moby-Dick
The Old Man and the Sea
On the Waterfront
The Player
The Red Badge of Courage
Reds
The Scarlet Letter
The Shrike, based on Miss Lonelyhearts
2001: A Space Odyssey
The Sun Also Rises
Triumph of the Will
The Way We Were
Wise Blood
The Wizard of Oz
Woodstock
The World According to Garp
 
         

The
HOLLYWOOD
Trilogy

Three historical novels dramatize Hollywood's global influence from the 1930s to the present age of terrorism, through the life stories of Sarah McCloud, a farm girl from Oregon, and Ryan Eisley, the son of a beer distributor from Ohio.

         
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Hollywood and spirituality in the 1930s. The first marriages of Sarah and Ryan illustrate effects of popular culture on morality. When her husband Burke leaves her, Sarah must separate from her little boy and goes to work in a defense plant. Ryan rises from gas pump attendant to movie director at the Fox studio, with sordid adventures at a Hollywood brothel and an orgy hosted by a horror star. He adapts stories pertinent to his life, including a comic biopic of theologian Jonathan Edwards. Their lives converge to an inspirational ending as the nation rallies after the sneak attack on Pearl Harbor, a time when Americans felt united as a country. In the climax, Burke fights in the battle of Tarawa. (2004)  
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Hollywood in the 1940s-50s, with deep focus on directors, writers and politics. Sarah marries Ryan and they produce independent films adapting American classics, while she tries to overcome his infidelities with scripts and actresses. Their lives and films dramatize the dominant political and aesthetic conflicts in Hollywood. Their first collaboration is a true untold story of heroism by black tank commanders in WWII. Then they become involved on both sides of the Blacklist scandal with Women in Hemingway starring John Huston, Humphrey Bogart and Lauren Bacall. Tracy and Hepburn influence them while making Blithedale, Orson Welles takes over their Pierre and Stalin courts Judy Garland in their Flowering Judas. (2005)  
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Click Book to Order
The Eisleys film Faulkner's As I Lay Dying, then during the 1960s Ryan turns countercultural and documents the black civil rights, hippie and anti-Vietnam War movements. Their son Davin serves as a medic in Vietnam, while Sarah tries to hold their family together, becomes a film critic in San Francisco, then moves to Portland and enters the Hollyworld of higher education. Their story is interwoven with films including Billy Budd, Dr. Strangelove, The Graduate, Woodstock, Easy Rider, 2001: A Space Odyssey, Close Encounters, Apocalypse Now, Reds, The Big Chill, The Player and The Passion. It exposes Communist propaganda movies, ridicules political correctness, satirizes Marxist movie stars and professors and culminates with the Iraq War. (2006)  
                                       
Peter Carafiol
Free Speech
Metaphor
archetype
Blacklist
Hollywood Novels
McCarthyism
Communist propaganda